This LS portrays the artist in front of a large audience. We had planned to film a similar shot, with an audience appearing to be there but in reality it is just the artist's imagination.
From Helena which I included in my artists moodboard.
This is a nice MLS featuring a silhouette of a person in the narrative part of the music video. We intend to use low-key lighting for both lines of action. Moreover, we believe that this sort of silhouette lighting could be incorporated in our digipak. Dark colours will maintain the meta-narrative of the promotional campaign while the artist will be shown as the focal point being the silhouette figure.
From The Heart Never Lies which I studied as one of my inspirational music videos.
The performance section of our video is very important and so shots like this CU of a guitar would be very useful as filler shots. The framing of this shot in particular is very professional, with the eye being drawn to the light at the bottom of the neck thanks to the perspective from a high angle.
From It's My Life,also from my inspirational music videos task.
Similar to earlier shots, silhouettes and lighting in particular in this shot are very significant. The whole band is shown and the high power lights in the background are a little like the lights we have access to at the stage venue.
From Air Guitar which I used as an example of the meta-narrative of McBusted in my moodboard.
The filter used throughout this music video is similar to what we might use for our video. The MLS is at waist height here and so we have the capability to replicate this with minimal effort. The shot is not very imaginative yet still appears effective somehow.
From I Don't Love You which I studied in my moodboard.





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